A couple more Day Zero article mentions

[sssneaking.livejournal.com]

The http://www.dayzerothemovie.com News page seems even better and more obsessive than us at finding stuff. They've got a link to a Variety article about the movies that distributors are most keen to check out during Tribeca and Day Zero is on the list. Which is promising (fingers crossed, assuming the movie is OK or better).

The Hollywood Reporter has a little bit about it - I'm not sure I've seen the budget mentioned before?

Day Zero
Premieres: Sunday, 9:30 p.m., Clearview Chelsea West
Industry Cred: Documentary director and editor Bryan Gunnar Cole's narrative-feature debut stars Chris Klein and Elijah Wood in the story of how a small group of friends in New York react to a fictional reinstatement of the draft.
The Scoop: Cole filmed in 60 New York City locations in just 24 days for less than $750,000, using a handheld camera to help give the "frenzied feel of a mid-'70s indie film," he says. The style seems rather apt for a subject he says hasn't been fully explored since the Vietnam era. "I'd like (the movie) to get people talking about what we're doing today and why."

A couple more Day Zero article mentions

[sssneaking.livejournal.com]

The http://www.dayzerothemovie.com News page seems even better and more obsessive than us at finding stuff. They've got a link to a Variety article about the movies that distributors are most keen to check out during Tribeca and Day Zero is on the list. Which is promising (fingers crossed, assuming the movie is OK or better).

The Hollywood Reporter has a little bit about it - I'm not sure I've seen the budget mentioned before?

Day Zero
Premieres: Sunday, 9:30 p.m., Clearview Chelsea West
Industry Cred: Documentary director and editor Bryan Gunnar Cole's narrative-feature debut stars Chris Klein and Elijah Wood in the story of how a small group of friends in New York react to a fictional reinstatement of the draft.
The Scoop: Cole filmed in 60 New York City locations in just 24 days for less than $750,000, using a handheld camera to help give the "frenzied feel of a mid-'70s indie film," he says. The style seems rather apt for a subject he says hasn't been fully explored since the Vietnam era. "I'd like (the movie) to get people talking about what we're doing today and why."